The Squash Blossom Neckace is one of the most common symbols that often comes to mind when thinking of American Indian Jewelry.

An article by Lee Anderson

Early Influences

This particular art object is truly an Indian creation. However, it developed slowly and has roots deep in non-Indian culture and history. The principle part of the necklace is the crescent-shaped pendant, which the Southwestern Indians first saw as iron ornaments on the horse bridles of the Spanish Conquistadors in the late 1500s and early 1600s. Captured or traded, these ornaments soon graced the necks of the local Indian populace. Their acquisition was a matter of pride and the ornament, reproduced in the various metals, was proudly displayed during ceremonials. These pendants, originally brought from Spain, reflected the influence of earlier Moorish conquests and the occupation of Spain. As generations came and went, the pendant, referred to as a najahe or naja, became symbolic with various ceremonials. Since most ceremonials were related to the agricultural cycle, the naja was associated with crop fertility.

Once silver beads came into fashion around 1880, what more logical place was there to display the naja? However, the earlier acquired najas were undoubtedly hung around the owner’s neck by a simple thong. The first beads were large, non-ornamental and round. From these, more complicated beads — fluted and oval — developed. Often, dimes and quarters were fastened to a silver shank and strung between the beads. Occasionally, these coins were domed, filled, and made into beads.

The necklace we now call the squash blossom probably didn’t originate much before 1880. It was not mentioned by Washington Mathews in his Navajo Silversmiths Second Annual Report, 1880–1881. Arthur Woodard, in 1938, pointed out that the Navajo and Zuni beads were originally Spanish-Mexican trouser and jacket ornaments, fashioned to resemble the pomegranate, a common Spanish decorator motif, often carved or painted on missions in Mexico and worn on clothing. Early Navajo “squash blossom” beads show a striking similarity to the Mexican ornament and the pomegranate. Still, despite the similarities, there is quite a bit of doubt that the Navajo attempted to depict this blossom in his bead.

The “Bead That Spreads Out”

The Navajo word for the “squash blossom” bead is yo ne maze disya gi, which means simply “bead that spreads out.” Nothing in the word denoted squash or pomegranate blossom. Perhaps the word was coined by a white man who, asking a Navajo what the bead represented (the white man is obsessed with what something means — he is rarely satisfied that something is simply attractive), was told that it looked like a squash blossom (the Navajo understands the white man’s obsession and often attempts to satisfy it as painlessly as possible). It is doubtful that the Navajo intended that the bead represent a squash blossom.

Please visit our collection of Squash Blossom jewelry, Necklaces and Pendants.

We have provided additional resources from Lee and Eric Anderson to provide a deeper understanding an appreciation of Native American jewelry and their culture. Please visit our About Me pages for published articles by Lee and Eric Anderson: "History or American Indian Jewelry", "Turquoise in Indian Jewelry", "Stones Uses in Indian Jewelry", "The History of Turquoise", "The Origin and Occurrence of Turquoise", "The Physical Properties of Turquoise", "Natural, Stabilized, Treated, Fake, and Synthetic Turquoise" and "Turquoise Quality". These articles