WHY MISS A PERFECT FRAME OF AN ARREST, BARBEQUE FIRE, BIRTH, CRIME, OR KISS?
JVC walkman-size CyberCams come so complete with CD software for PC editing; wiring for direct digital input for editing from digital video to still shot photo or motion picture; digital music videos; artistic editing with special lighting & sound effects; wiring for direct digital video & sound input into TVs, DVD-Rs, VCRs, for dubbing mini-digital video tape to tape, CyberCam to CyberCam, OR WIRING DIREDT INTO PCS for ONLINE VIDEO EDITING.
I've editing over 3,600 artistic Ethnographic digital video frames into still shots, capturing the exact best frames for professional quality of the precise moment of being that I aimed for. With a JVC DVM50 CyberCam, that's the size of my palm & records up to 200X away, while maintaining digital film & sound quality, I went to the nose bleed of a rock concert & filmed the musician as if I was next to her stage as well as her huge close up video screens.
Now, with JVC's equally small DVM90, I am created professional Ph.D. work for Anthropology Documentaries. In a blink I might have missed a nanosecond of being that I needed to make my film about a public street scene ritual if I only used digital still shot camera. Instead, with digital video rolling, I not only filmed every frame of these movements, but I also recorded digital sound. I can't do that with a digital still shot camera. I use voice-over techniques to narrate these scenes while editing.
I went back into my hotel room & instantly hooked the wire directly from the small & unobtrusive DVM50 or DVM90 digital video & sound recorder into the hotel TV to watch & hear my movie within a few minutes after I filmed. No discs. No CDS. Tape that is instantly reading to view on any modern TV with video and sound sockets (red and yellow). I knew immediately what footage IO had & what I still needed to record.
Since I disguise some of the public people I film for research purposes, I use artistic methods to distort their images like this:
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I can also change the size and resolution of any still shot made from video tape; or even change the resolution of the edited video tape. These are cameras that when new ran anywhere from 8 grand to 15 grand a piece. I can now buy them brand new on eBay for around 200-250$.
Have to ask ourselves: do we want to risk missing the moment we want with a swtill shot digital camera, or use a just as small and easy to use JVC DMV50 or DMV90 that records all the moments with loads of frames of the still shot we really want to choose from? Do we want digital quality sound too?
Go the next level in digital photography and try either one of these terrific digital video cameras. I wish they made digital video and sound recorders when my family elders were still alive 34 years ago. Or when my children were babies 30 years ago. They'd be family treasures today.
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