Measuring the print quality of the work is a way of comparing the artist's original vision with the actual execution and production of the print.

In the field of printmaking, quality refers to the characteristics of the impression in conjunction with the physical condition of the paper. Measuring the print quality of the work is a way of comparing the artist's original vision with the actual execution and production of the print.

With works by Old Masters (e. g. Durer , Rembrandt ), for example, earlier impressions often derive from plates in considerately better condition. This, in turn, makes way for higher-quality, bolder prints.

Quality, more often than not, is a way of discerning critical judgment to a work, followed by an opinion of expertise (i. e. Is it one of the artist's better works or one of his poorer ones? Is it exceptionally executed or poorly done?). The best works by an artist will be able to "scream" across the room, highlighting the artist's notable style and creative achievement.

Print condition is virtually self-explanatory; an undamaged work is better than a damaged one. Damage is typically confined to rips, tears, or creases within the sheet. Otherwise, minimal damage (i. e. mat burn, minor foxing) is acceptable and often more desired as it often denotes the age and antiquity of a piece (particularly in Old Masters). Damage that directly affects an image is less desirable than one confined to the margins.

Alex Adelman is the author of this guide, and president of Masterworks Fine Art, Inc.