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Goldmine Grading System Defined:Questions & Answers
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Questions in this section:
Q1: What is the Goldmine Grading System ?
Q2: How can I grade my own vinyl based on these grades?
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Answers:
Q1: What is the Goldmine Grading System ?
A1: The Goldmine Grading System was 1st created in the early years of record collecting. These grades were
established from various other resources pertaining to collecting (for example coin, book, comics, and card
collecting) Goldmine Magazine first published a grading scale in 1974.
It has undergone changes through out the years, yet has for the most part remained the same.
Remember! Two people may not come up with the same grade for the same record. One person may feel a record is MINT
and another may say NM (Near Mint). After reading the next part of this answer, perhaps you will be able to
identify each grade with out too much confusion, and allow yourself to grade more conservatively (fairly).
Grade Scale with definitions of each grade: ==================================================
Q2: How can I grade my own vinyl based on these grades?
A2: Below is the grade scale and what you should look for when assessing a grade for each record you have.
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MINT or M : Perfect! A mint record should look like it has just left the manufacturer, with NO flaws what so ever.
It should look as though it had never been handled. No scuffs or scratches, blotches or stains. No stickers address
labels, writing on the covers or labels. No tears or seam splits. No wear to the cover or record period! Age of the
record has nothing to do with it. A MINT record from 1949 should look like a MINT record from 1996.
The number one complaint from collectors about grading over the years, have been the deteriorating standards that
dealers and private sellers have had when grading. It is only natural for most people to turn to the "MINT" grade
and read "highest prices" listed in price guides. Since most price guides have a high and low price range, the
assumed grade most often is NOT mint, but near mint (NM). MINT COVERS: Simply put, a mint cover should appear to
have never had a record inside it. No wear to the corners or any marring on the face or back of the cover. EP
jackets and 45 single picture sleeves also apply to this rule. The record inside can cause an impression (rounded
shape in the face of the cover/sleeve) Many dealers or sellers feel that the artwork (the ink) has to be worn or
starting to rub off, before there is any ring wear.
NOPE!! Mint means perfect and nothing else!
SPECIAL NOTE: It has been brought to my attention that because stickers may involve promo and special track
listings that were applied from the factory, it is still not a standard practice. Promo stickers and large white
programming labels (on the bottom of the covers) are considered a turn off. Therefore even these stickers would
lower the grade from a MINT status to perhaps only EX. For stickers that show special announcements, such as
"Featuring the hit song...etc", were not applied to all the commercial releases. Some earlier copies may not have
the sticker since the song in question had not even charted yet. It was to advertise the whole LP and draw
attention to the buyer. Some stickers are worth money! That means they actually have value. Most companies applied
the stickers to the shrinkwrap and thus, one should save these items, but if applied to the covers, lower the
covers grade. If you wish to place value on the sticker (most are anywhere from 50 cents to $2.00) then do so but
make mention of the sticker being on the cover to potential buyers!
MINT VINYL: This should be very simple to define. A mint record should look perfect, as described earlier. Any
defect from the factory pressing, such as bubbles or pits in the vinyl are not acceptable! Even if they do not
cause any problem when played. It should, as we said, be a perfect pressing. Records often were packaged by hand
and the simple placing of the record into a paper sleeve can caused minor scuffs. Probably very insignificant, but
they are flaws as never the less. For this reason, it is impossible to call a sealed record mint, thus any sealed
record that is sold, should be sold only with the guarantee that it is assumed to be un-played. Sealed records have
sold for more than the high end of price guides. If you are selling sealed records, be advised that many collectors
shy away from them. A sight unseen record is hard to sell. A sealed record is even harder to sell.
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NEAR MINT or NM-: Sometimes dealers use M- (Mint Minus)grade.
You may need to ask the dealer if he/she uses the M- grade the same way as NM. They should mean the same thing
however many people have had used several confusing grades all based around the Mint status. We define NM and or M-
as being almost mint. This grade should be, for the most part, the most widely used grade for records that appear
virtually flawless. Virtually flawless records are not perfect. A very minor scuff and very little else can appear
on the vinyl. This will most likely have occurred during packaging, or removing the record from the inner sleeve
but had been handled with extreme care. It should play without any noise over the flaw. The flaw should be very
hard to see. If a scuff covers more than a few tracks yet can be seen, it will not be NM, however it may come very
close. Use strong judgment when evaluating the vinyls condition.
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EXCELLENT or EX or VG++: This is truly NOT Goldmine defined grade, however it is becoming more and more mainstream
among collectors and sellers. It is also a very conservative grade for those who don't want to grade NM, for fear
they may over grade the record and cover. In which case it is very acceptable yet should not command the highest
price based on NM value. Only NM records or better are considered collectable and WILL command top dollar. Anything
less, the prices drop dramatically. However many very rare (collectable) items can command very close to NM value,
simply because NM copies may not even exist. This will be explained under a different topic...
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EX VINYL: An excellent (EX or VG++) condition for vinyl will allow minor scuffs which are visible but only
slightly. There may be more than a few, so be careful not call a record that has wear to more than 15% of the
surface. The wear should be minimal and of course should play mint! Any scratches that can be felt with your
fingernail can NOT be called scuffs. Scuffs lay on top of the grooves. If any break in the grooves are felt, they
ARE scratches. And most often, they will be heard when played (soft clicks or even loud pops). Once again, no
scratches can make this grade!
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VERY GOOD PLUS or VG+: What does this mean? Some people will call a less than NM record VG+ and skip the EX grade.
Goldmine defines it as Excellent (EX), yet commands only 50% of the value (for most records). It can easily be
defined as 2 ways. VG+ should be the next grade below a NM value when grading 45 singles. EX can be used for EP's.
45 singles have only 2 songs and EP's (7" by the way) can have anywhere from 3, 4, 6 and 8 (rarely found) songs on
the record. With 45 singles one side may be NM and the other side may not. If the flip side is not NM but still
plays well (or great, no noise), VG+ is a conservative grade. Very few 45's should be called EX unless they are of
rarities. Use careful judgment when buying and selling them with this grade!
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VG+ VINYL: Now for LP's (the big ones <G>). VG+ will show wear, surface scuffs,(or spiral scuffs that came from
turn table platters or jukeboxes for 45 singles) and some very light scratches. Surface scuffs are caused from
blunt (not sharp) objects. Often the minor scuffs are caused from inner sleeves. The vinyl should still have a
great luster, but the flaws will be noticeable to the naked eye. Sometimes holding the record up to a very bright
light, you will see many tiny lines across the surface. If the flaws don't cause any surface noise, the vinyl can
make the VG+ grade. Most (but not all) VG+ records should still play like a NM record. But because the vinyl has
more than 15% (yet less than 30%) wear to the surface, it can make this grade. Remember, the record still should
look as though it was handled with extreme care. Sometimes people find records that have no scuffs that are
visible, yet a careless needle scratch causes a break in the grooves. Play the record. If there is any obtrusive
clicks or pops, which cause the the song to be less than enjoyable, it may not even be VG+! Scratches are not
acceptable to a serious collector in any way. If you call a record 95% NM but note the record as having 1 track
with a bad scratch, many will only consider it as VG (explained next). You should seldom call a record "A Strong
VG, plays mostly VG+". It does not explain the overall condition well enough. Use this very cautiously when
grading.
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VERY GOOD or VG: The Very Good Grade does not mean Very good at all. At least not in the visual sense. A Very Good
(VG) record will appear well played but still have some luster. The vinyl may be faded, slightly grayish, yet
appears to have been handled as carefully as it could have been helped. Records that get continuous playing time
will start to deteriorate. More and more surface scuffs and scratches, and audible sound defects WILL be heard.
They should not overpower the dynamics of the music. With VG records, the surface noise will be minor crackle or a
slight hiss, but should only be heard in between tracks or in low musical passages.
IMPORTANT NOTE: With Jazz and Classical recordings, the music can become very low to the point where no music is
even heard. If any crackle, tics, clicks or pops are heard, these records will have very little value to a serious
collector! Classical and Jazz is seldom wanted if they are in less than VG+ condition. It is wise to play these
records (as should all records) when evaluating grades. Some classical records may look VG+ or even NM, however
play less than than perfect. Beware of over grading these. They are difficult to grade and conservative grading is
a must with them. Also equally as important. Most dealers truly will not have a lot of time playing every single LP
they sell. It just is impossible. However when records have questionable flaws, the record should be tested at
least where the flaw occurs in the playing surface. Visually noting the flaw may not be good enough. If the record
skips, you will have made a mistake and the value would thus be less.
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GOOD or G (including the G+ and VG- grades): A good record will look very well played, dull, grayish and possibly
abused. However a Good record should still play. It will have distracting surface noise. Such as crackle that is
continuous or some hiss. Will also have some loss of dynamics caused from grooves being worn. It should play
without any skips or any obtrusively loud pops or repeated clicks, caused by deep scratches. If you can't enjoy the
record, it is not no longer even good. Good means that it will play with some form of decency, so one can still
enjoy the music even though you can still hear noise caused from the wear.
NOTE: Rock and Roll records generally play loud. G condition records for them will be the most likely thing that
will still sell well. Jazz and Classical and easy listening in G condition are almost worthless to a collector,
since the musical passages often get very low and surface noise is too distracting to the listener. Also check on
45 singles for the length of time. Records that play longer than 3 minutes, may not be as dynamic and thus any
where will be heard more than the music (overpower the dynamics). Use conservative judgment when grading these
types of singles.
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G+ and VG-: This is separate from the above. Many records that appear in VG condition often play less than very
good. Goldmine defines them as better than Good, but less than Very Good. The value should not increase more than
the value of a Good record. Meaning they all should be priced somewhere within the same guideline (most often it is
10 to 15% for Good, and only 15% for Good Plus (G+) and Very Good Minus (VG-). With a G+ record, it will look just
as the described condition for Good, yet may play better than it looks. Dynamics for are usually good enough to
overpower the surface noise. Same for VG-, However VG- and G+ are of the same value. It is more of a visually and
audible combined grade. There should be no large price increase for these records. Price them like G records and
you should not have a problem.
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FAIR, & POOR: The easiest way to define this is if does not meet the lowest grade above (GOOD), it is trash. It is
worthless. Unless it is so rare, it won't sale worthy at all. It is ok to throw them away or give them to someone
who just wants to have them. It won't be playable for the most part, and so they are not much good hanging onto
them. Very few poor records are collectable. Some rare colored vinyl or picture discs are ok, and can still be nice
to have, but they won't be good enough to play again.
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Quick rundown in abbreviated Grading System
MINT
NM
EX or VG++
VG+
VG
G (with minor exceptions to G+ and VG-)
F and P (Trash) (some records in Fair condition will be wanted but very, very few.
Common Abreviations
7" - standard 45 RPM
co - cut-out
pc - picture sleeve
sl - slight
UK- United Kingdom (British Pressing)
10" - 10-inch vinyl LP
dj - Disc Jockey (promo)
pi - picture Insert (CD Single)
sm spl - Seam Split
US - United States (domestic pressing)
12" - 12-inch single
ep - Extended Play
promo - promotional copy
soc - sticker on cover
va - various artists
bb - bb hole in cover
imp - import
ps - picture sleeve (45)
sol - slicker on label
wlp - white label promo
boot - bootleg
lp - 12" vinyl album
quad - quadraphonic
ss - still sealed
woc - writing on cover
cc - cut corner
m - mono Lp
re - reissue
s/t - self titled
wol - writing on label
cd - compact disc
nap - not affecting play
ri - reissue
tc - title cover (12" and CD's)
xol - "x" on label
cd3 - 3" compact disc single
non-lp- not on full-length LP or CD
rpm - revolutions per minute
ti - title insert (CD single)
* check the context, as "m" can also mean "mint"
cd5 - 5" compact disc single
oc - original cast recording
rw - ring wear
toc - tape on cover
coh - cut-out-hole
ost - original soundtrack
s - stereo Lp
tol - tape on label
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Copyrighted 1996 by Weldon T. Toms & Goldmine Records (1974?)
You have permission to download, transmit or post to other WWW sites.
INFORMATION SOURCE: GOLDMINE MAGAZINE
In Composing this Q & A, the following people have participated with vital information....
Susan Murray (NOD International Records) cyteen @ ix.netcom DOT com
Fred Walker (Vinylonly) vinylonly @ aol DOT com
Paula Major (Paula's House of Music) doowoplvr @ houseofmusic DOT com (Paula),
Copyright 1996 by Weldon T. Toms & Goldmine (1974?) Any additional insight can be forwarded to Tim at backtrac45 @
aol DOT com for future updates if needed. Grades listed will not be altered or modified. The following grades
defined are those as listed with Goldmine magazine.
This is not to say that other grading systems are not viable. This is the most mainstream system used as compared
to others that are not. It is to be used only as a reference but to keep in mind, that when grading, anyone can
choose alternative means to grading records, as long as they can define the terms the use without confusion.
FAQ: Compiled August 16th, 1996
the full text of this guide may be found here: www DOT eskimo DOT com/~bpentium/beatles/grading DOT html
Guide created: 10/19/08
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